Murphy Unearths Irish Trauma in “Small Things”
Cillian Murphy, renowned for his captivating performances, delves into a poignant chapter of Irish history in his latest film, “Small Things Like These.” Based on Claire Keegan’s acclaimed novel, the movie confronts the “collective trauma” of the Magdalene Laundries, institutions notorious for exploiting and abusing “fallen women” for decades.
“It was a dark moment,” says Murphy, reflecting on the laundries’ legacy. “The film tackles this through Bill Furlong, a seemingly ordinary coal merchant whose life collides with these horrific secrets.” Bill embodies the struggle of navigating “a dysfunctional Christian society,” questioning complicity and confronting uncomfortable truths.
Murphy acknowledges the film’s role as a catalyst for processing this trauma. “Art can be a balm,” he asserts, referencing the novel’s widespread readership in Ireland. He suggests the film’s power lies not in providing answers, but in provoking questions about silence, shame, and individual responsibility.
But “Small Things Like These” transcends national boundaries. The story resonates with universal themes of institutional abuse, religious authority, and societal negligence. It mirrors countless historical injustices, urging reflection on similar struggles worldwide.
Beyond individual healing, Murphy sees the film as a potential catalyst for wider change. “Can it spark conversations, encourage historical reckoning, or inspire action?” he ponders. The film’s impact might lie in its ability to challenge complacency and ignite movements seeking justice and accountability.
Critics commend the film’s nuanced portrayal of trauma, praising its evocative storytelling and Murphy’s powerful performance. Audiences share their appreciation for the film’s sensitivity and courage in confronting a painful past. Survivors’ reactions, while understandably varied, highlight the importance of acknowledging and learning from these dark chapters.
“Small Things Like These” is more than just a film; it’s a conversation starter. By confronting uncomfortable truths and prompting self-reflection, it offers a path towards collective healing and, perhaps, a more just future. As Murphy concludes, “Art cannot answer all the questions, but it can make us ask them.” And in asking, we begin the journey towards understanding and, ultimately, change.
Anas Khabir \ ADQ KHABIR 2024 Photo source: ADQ KHABIR
